The English Musical Renaissance and the Press 1850-1914: by Meirion Hughes PDF

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By Meirion Hughes

the significance of nineteenth-century writing approximately tradition has lengthy been permitted by means of students, but as far as song feedback is worried, Victorian England has been a space of scholarly overlook. This scenario is the entire extra astounding on condition that the amount of such feedback within the Victorian and Edwardian press was once great, a lot of it showing a richness and variety of serious views. in the course of the research of song feedback from a number of key newspapers and journals (specifically the days, day-by-day Telegraph, Athenaeum and The Musical Times), this booklet examines the reception heritage of latest English song within the interval surveyed and assesses its cultural, social and political, significance. tune critics projected and promoted English composers to create a countrywide tune of which England might be proud. J A Fuller Maitland, critic at the occasions, defined track newshounds as 'watchmen at the partitions of music', and Meirion Hughes extends this metaphor to discover their the most important function in development and safeguarding what got here to be often called the English Musical Renaissance. half one of many booklet seems on the critics within the context of the courses for which they labored, whereas half specializes in the connection among the watchmen-critics and 3 composers: Arthur Sullivan, Hubert Parry and Edward Elgar. Hughes argues that the English Musical Renaissance was once eventually successful thank you principally to the paintings of the critics. In so doing, he presents an incredible second look of the effect of journalism on British track history.

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The English Musical Renaissance and the Press 1850-1914: Watchmen of Music: The Watchmen of Music (Music in Nineteenth-Century Britain) by Meirion Hughes

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